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The world over there is a growing demand for ethically produced, organic cotton fabrics dyed using natural ingredients. The Ponduru region has all the required skills and the potential for producing interesting fabrics that are handspun and handwoven. This could benefit the entire supply chain from the farmers to the spinners, dyers and weavers. The craftspeople would prefer to continue their ancestral profession if they are offered sustained work, instead of being forced to take up mindless labour.
 
 
With a growing demand, a few enterprising master weavers like K. Krishna Rao in Ponduru have started using natural dyes. A well-known expert, Jagada Rajappa, who has conducted almost 300 workshops on natural dyes around the country and outside, was invited by Dastakar Andhra to conduct workshops for dyers of this region. K. Krishna Rao, who attended one of the workshops, is amongst the few who continue the practice. He follows the process meticulously so his fabrics are colour fast, and he works with a limited palate of red from alizarin, blue from indigo, yellow from pomegranate, brown from katechu and charcoal from iron filings. The jamdani patterned fabrics in natural dyes have become popular in the high-end retail market and he works against orders procured from retailers in the city.
 
 
Earlier, apart from the extensive use of handwoven fabrics locally, there was strong support for the weavers from the state owned marketing societies such as APCO in Andhra and CO-OPTEX in Tamil Nadu. There has been negligible investment in design or product development on a sustained basis by marketing agencies, and this reflects in the repetitious patterns and deteriorating products, due to which handloom fabrics are slowly losing their market. There is an urgent need to revive the market, supported by design, promotion and new narratives to make handlooms an aspirational product. If a dynamic person with a clear vision were to head any of these marketing organisations, it could change things and the whole supply chain would benefit, which would help bring about an economic transformation of this region.
 
 
The handloom sector has the potential of creating very large number of livelihoods for artisans within their geographical regions, saving people from forced migration to cities where jobs are hard to find and living conditions are brutal.
view: 0 Categories: Telangana By: Bandhejstore

About the Author

Archana Shah

Archana Shah

Archana Shah graduated from the National Institute of Design (NID) in 1980. Soon after graduating from NID, she travelled to remote corners of the country to study, understand and experience the vast variety of weaving, dyeing, printing, embroidery and ornamentation techniques practised by different communities.

This proved to be a very enriching journey, and the unique skills of the people of various regions, their distinctive colour palettes, and rich design vocabulary became the base for all her future work.

In 1985, Archana started a clothing company, BANDHEJ, a label influenced by the traditional textiles and craft skills, created for Indian women, with a very Indian sensibility. Today, Bandhej is a recognised brand, with a chain of stores in Ahmedabad, Mumbai, Bangalore, Delhi, Kolkata, Pune and Cochin.

Apart from this, she has designed costumes for a few feature films such as Bhavni Bhavai, Mirch Masala, Hun, Hunshi, Hunsilal and costumes for theatre. 1985 – 1997 she also worked on Festival of India inaugurations at Paris, Moscow, Leningrad and Tashkent to design architectural textile installations to create an Indian mood.

More recently she has published a book - SHIFTING SANDS, Kutch: A Land in Transition. The book is a personal journey of discovery and about her association of over 30 years with the land, people and their craft.

view: 0 Categories: Telangana By: Bandhejstore

About the Author

Archana Shah

Archana Shah

Archana Shah graduated from the National Institute of Design (NID) in 1980. Soon after graduating from NID, she travelled to remote corners of the country to study, understand and experience the vast variety of weaving, dyeing, printing, embroidery and ornamentation techniques practised by different communities.

This proved to be a very enriching journey, and the unique skills of the people of various regions, their distinctive colour palettes, and rich design vocabulary became the base for all her future work.

In 1985, Archana started a clothing company, BANDHEJ, a label influenced by the traditional textiles and craft skills, created for Indian women, with a very Indian sensibility. Today, Bandhej is a recognised brand, with a chain of stores in Ahmedabad, Mumbai, Bangalore, Delhi, Kolkata, Pune and Cochin.

Apart from this, she has designed costumes for a few feature films such as Bhavni Bhavai, Mirch Masala, Hun, Hunshi, Hunsilal and costumes for theatre. 1985 – 1997 she also worked on Festival of India inaugurations at Paris, Moscow, Leningrad and Tashkent to design architectural textile installations to create an Indian mood.

More recently she has published a book - SHIFTING SANDS, Kutch: A Land in Transition. The book is a personal journey of discovery and about her association of over 30 years with the land, people and their craft.